If this be love, to draw a weary breath,
To paint on floods, till the shore, cry to th’air,
With downward looks, still reading on the earth
The sad memorials of my love’s despair;
If this be love, to war against my soul,
Lie down to wail, rise up to sigh and grieve,
The never-resting stone of care to roll,
Still to complain my griefs whilst none relieve;
If this be love, to clothe me with dark thoughts,
Haunting untrodden paths to wail apart;
My pleasures horror, music tragic notes,
Tears in mine eyes and sorrow at my heart.
If this be love, to live a living death,
Then do I love and draw this weary breath.
My heart’s in the Highlands, my heart is not here;
My heart’s in the Highlands, a-chasing the deer;
A-chasing the wild deer, and following the roe,
My heart’s in the Highlands wherever I go.
Farewell to the Highlands, farewell to the North,
The birth-place of valour, the country of worth;
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.
Farewell to the mountains high cover’d with snow;
Farewell to the straths and green valleys below;
Farewell to the forests and wild-hanging woods;
Farewell to the torrents and loud-pouring floods:
My heart’s in the Highlands, my heart is not here;
My heart’s in the Highlands, a-chasing the deer;
A-chasing the wild deer, and following the roe,
My heart’s in the Highlands wherever I go.
Als ich jüngst, mich zu erquicken,
Unter dunklen Bäumen sass,
Hört’ ich ticken, leise ticken,
Zierlich, wie nach Takt und Maass.
Böse wurd’ ich, zog Gesichter,
Endlich aber gab ich nach,
Bis ich gar, gleich einem Dichter,
Selber mit im Tiktak sprach.
Wie mir so im Versemachen
Silb’ um Silb’ ihr Hopsa sprang,
Musst ich plötzlich lachen, lachen
Eine Viertelstunde lang,
Du ein Dichter? Du ein Dichter?
Stehts mit deinem Kopf so schlecht? –
«Ja, mein Herr! Sie sind ein Dichter!»
– Also sprach der Vogel Specht.
May I find a woman fair,
And her mind as clear as air,
If her beauty go alone,
‘Tis to me as if’t were none.
May I find a woman rich,
And not of too high a pitch;
If that pride should cause disdain,
Tell me, lover, where’s thy gain?
May I find a woman wise,
And her falsehood not disguise;
Hath she wit as she hath will,
Double arm’d she is to ill.
May I find a woman kind,
And not wavering like the wind:
How should I call that love mine,
When ’tis his, and his, and thine?
May I find a woman true,
There is Bettutv’s fairest hue,
There is Beauty, Love, and Wit:
Happy he can compass it.
Had I a cave on some wild distant shore,
Where the winds howl to the waves’ dashing roar;
There would I weep my woes,
There seek my lost repose,
Till grief my eyes should close,
Ne’er to wake more.
Falsest of womankind, canst thou declare
All thy fond plighted vows-fleeting as air?
To thy new lover hie,
Laugh o’er thy perjury,
Then in thy bosom try
What peace is there!
Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walk’d among the ancient trees;
Calling the lapsèd soul,
And weeping in the evening dew;
That might control
The starry pole,
And fallen, fallen light renew!
‘O Earth, O Earth, return!
Arise from out the dewy grass!
Night is worn,
And the morn
Rises from the slumbrous mass.
‘Turn away no more;
Why wilt thou turn away?
The starry floor,
The watery shore,
Is given thee till the break of day.’
Sun of the sleepless! melancholy star!
Whose tearful beam glows tremulously far!
That show’s the darkness thou canst not dispel,
How like art thou to joy remember’d well!
So gleams the past, the light of other days,
Which shines, but warms not with its powerless rays;
A nightbeam Sorrow watcheth to behold,
Distinct, but distant — clear — but, oh how cold
Should auld acquaintance be forgot
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne!
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup o’ kindness yet
For auld lang syne
And surely ye’ll be your pint stowp!
And surely I’ll be mine!
And we’ll take a cup o’ kindness yet,
For auld lang syne
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup o’ kindness yet
For auld lang syne
We twa hae run about the braes,
An pou’d the gowans fine
But we’ve wander’d mony a weary fitt,
Sin’ auld lang syne
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup o’ kindness yet
For auld lang syne
We twa hae paidl’d in the burn,
Frae morning sun till dine;
But seas between us braid hae roar’d,
Sin auld lang syne
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup o’ kindness yet
For auld lang syne
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll take a right gude-willie waught,
For auld lang syne
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup o’ kindness yet
For auld lang syne
Life, believe, is not a dream
So dark as sages say;
Oft a little morning rain
Foretells a pleasant day.
Sometimes there are clouds of gloom,
But these are transient all;
If the shower will make the roses bloom,
O why lament its fall?
Rapidly, merrily,
Life’s sunny hours flit by,
Gratefully, cheerily
Enjoy them as they fly!
What though Death at times steps in,
And calls our Best away?
What though sorrow seems to win,
O’er hope, a heavy sway?
Yet Hope again elastic springs,
Unconquered, though she fell;
Still buoyant are her golden wings,
Still strong to bear us well.
Manfully, fearlessly,
The day of trial bear,
For gloriously, victoriously,
Can courage quell despair!
Of wedded bliss
Bards sing amiss,
I cannot make a song of it
For I am small,
My wife is tall,
And that’s the short and long of it.
When we debate
It is your fate
To always have the wrong of it;
For you are small,
And I am tall,
And that’s the short and long of it!
She has, in brief,
Command in Chief,
And I’m but Aide-de-camp of it;
For I am small,
And she is tall,
And that’s the short and long of it!
I’ll sometimes grip
Your buggy whip,
And make you feel the thong of it!
For you are small,
And I am tall,
And that’s the short and long of it!
I sometimes think
I’ll take to drink,
And hector when I’m strong of it;
For I am small,
And she is tall,
And that’s the short and long of it!
O, if the bell
Would ring me knell,
You’d make a gay ding-dong of it;
For you are small,
And I am tall,
And that’s the short and long of it!
Finland
Electro guitare-song: 2
He was born in Magnitogorsk on August 18, 1975 in a musical Tatar family.
After studying at the music school in the piano class, in 1990 Renat entered the Magnitogorsk Music School named after Glinka went to the pop department in the guitar class.
In 1994, he entered the Magnitogorsk State Conservatory, named Glinka.
Currently, he lives in Finland, works with the Finnish-Tatar project Cemile Finland as a guitarist and sound producer with other Finnish musicians.
Russia
Back vocal-song: 12
Co-author (If this be love)
Was born on 07.02.1950.
Guitar, arrangement, backing vocals.
He graduated with honors from the Moscow State Conservatory. The creator of the signature sound of many collectives.
Russia-Israel
viola-songs: 3, 5, 10,12
Co-author (Pair’d not Match’d)
Russia
Flugel horn-song: 12
Born on December 3, 1956 in the city of Klintsy, Bryansk region. In 1976 he graduated
Bryansk Music School in the trumpet class. He served and worked in the Song and Dance Ensemble of the Black Sea Fleet, in the popular VIA USSR .In recent years, he has been engaged in solo projects and as a session musician.
Russia
Bas guitar-songs: 2, 3, 7
Born on April 12, 1968.
Since 1985, he has been a student
of the Gnessin Higher Music School, clarinet class.
But everyone knows him as a great bass guitarist and composer.
Unfortunately, Dmitry died suddenly on November 10, 2020.
Russia
Flute-songs: 3, 4, 10
Do you know why the Olga Scotland flute sounds so high? Because it is recorded on the moon, in an artificial atmosphere made of helium. Helium, as you understand, is extracted from balloons that have flown to the moon. This makes the music magical and cosmic — after all, there are also people on the moon with their own stories.
Olga Scotland is a flutist, composer of the Animuba cartoon studio.
Music projects:
Germany
vocal-song: 10, 13
Judith Klar is a Hamburg-based singer and vocal coach. She is a qualified breath, speech and vocal teacher and has been working as a vocal therapist ever since getting her certificate, passing on her knowledge in workshops and classes.
Her students not only profit from her wholistic educational approach, but also from her practical experience as a singer in a number of projects and studio jobs. Her smooth and versatile soprano voice feels comfortable singing not only pop, but also jazz and soul music.
New-Zeland
vocal-song: 2 (video version)
Born 13 March 1972. He is a classical crossover singer, a multi platinum selling international recording artist, impresario, entrepreneur, creator and CEO of London-based entertainment company Incognito Artists, and co-creator of the world’s first ‘pop-opera’, classical crossover band Amici Forever.
Germany
Musician-composer
Electric guitar
Acoustic guitare
Back vocal
I’ve been tied by a longstanding friendship and creative partnership with a lot of the project’s participants – Dmitry Diachkov, Paul Ekholm and Dmitry Stoukalov. I find special advantages in the modern opportunities enabling musicians from different corners of the world to unite and communicate through the greatest universal language of music. I would like to extend my sincere gratitude to Dmitry Diachkov, for giving me the opportunity to join the project, creative freedom and friendship. Thank you to all who participated in the recording sessions with the Katinhouse band for commitment to music and pure creativity.
Sweden
musician-composer
Vocal
Acoustic guitar
Electric guitare
Back vocal
Mouse harmonica
The concept came up during the pandemic and isolation period, when Dmitry Dyatchkov, a longtime friend of mine let me listen to a tune he had just written to a Robert Burns’ piece of poetry. Thus the first dong of the album came into existence. Then, other compositions began to emerge one by one. Our creative team was parted by space and time but it was a challenging experience – great guys scattered by life across various countries and continents were jointly working on music material.
As fate would have it, a beautiful musician Dmitry Stukalov, who played bass on some compositions, passed away in course of the recording sessions. We have dedicated the song titled “If this be love” to his blessed memory!
Song «Green Leaves” is dedicated to my wife Irina. She loved green leaves very much!
Israel
Musician-composer
Arrangements
Keyboards
Electric guitar
Acoustic guitare
Block flute
Percussion
In the summer of 2020 Paul Ekgolm, a friend of mine heard one of my tunes and suggested to look for a suitable piece of Robert Burns’ poetry. “Auld lang syne” rewritten by R. Burns went with it quite well. This experience inspired me to study the poetry of the past centuries and the songs started to emerge by themselves. That’s how eleven tracks for the album “Entrance A” were recorded. It also includes three works by Ivan Timoshenko – “The Sign”, “Showtime”. I commend my sister Katherine for beautiful vocal, my friends – Ivan Timoshenko, Paul Ekgolm and Anton Basov for creative collaboration resulted in establishment of a band and all those participated in the recording sessions!
Strange that I did not know him then,
That friend of mine!
I did not even show him then
One friendly sign;
But cursed him for the ways he had
To make me see
My envy of the praise he had
For praising me.
I would have rid the earth of him
Once, in my pride!…
I never knew the worth of him
Until he died.
Russia
musician
Place of Birth: Tashkent.
Musical education: music school in piano, pop studio — electric guitar, music school in classical guitar and conducting.
Experience: the”Old Buddy” and Alexandr Zaretsky band (solo),
tributes to The Beatlove and The BeatBoys.
Extensive concert and studio activities.
Instrumental skills: keyboards, guitar, bass, drums, vocals.
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